New Heights


Ungho: Coat FENDI. Luard: Shirt PAUL SMITH, Scarf DUNHILL, Trousers PAUL SMITH

Coat & knitted body PRADA, Hat BERLUTI

Jacket DUNHILL, Trousers SALVATORE FERRAGAMO

Luard: Coat DIOR. Ungho: Full look ALEXANDER MCQUEEN

Shirt VALENTINO, Trousers VALENTINO

Ungho: Full look JIL SANDER BY LUCIE & LUKE MEIER. Luard: Top BOTTEGA VENETA, Trousers MARGARET HOWELL, Boots FENDI

GIORGIO ARMANI

Luard: Shirt and trousers NANUSHKA, Roll-neck BERLUTI, Shoes PRADA. Ungho: Full look CANALI

Ungho: Scarf SAINT LAURENT BY ANTHONY VACCARELLO, Shirt MARGARET. Luard: Coat BOTTEGA VENETA, Shirt CELINE BY HEDI SLIMANE, Trousers AMI, Shoes BOTTEGA VENETA

Full look HERMÈS

Luard: Jacket NANUSHKA, Shirt GUCCI, Trousers DUNHILL. Ungho: Coat MARGARET HOWELL, Scarf MARGARET HOWELL

Luard: Coat CELINE BY HEDI SLIMANE, Hoodie CELINE BY HEDI SLIMANE, Trousers SALVATORE FERRAGAMO, Shoes PRADA. Ungho: Jacket FENDI, Roll-neck FENDI, Trousers BOTTEGA VENETA, Shoes BOTTEGA VENETA

Photography Conor Clinch

Styling Mitchell Belk

Models Luard and Ungho at Elite London

Grooming Asahi Sano at Caren using Bumble and Bumble

Casting Ikki Casting

Production Kat Perry

This article is taken from Port issue 29. To continue reading, buy the issue or subscribe here

Discreet Chimera

Dior and sacai splice identities

Born in the landlocked countryside of Gifu, Chitose Abe spent her childhood making clothes for dolls. Her mother was a seamstress, and, at the request of Abe, could often be found tailoring her outfits, adjusting hems to turn heads. Rural neighbours clucked and tutted, finding her uncompromising style and personal quirks “bizarre”. The metropolis of Tokyo beckoned. After finishing design school, she worked as a patternmaker under Rei Kawakubo at the avant-garde Comme des Garçons, eventually leaving to raise her newborn daughter. Abe would shake off her creative ennui in motherhood two years later by starting her own home-run label: sacai, a derivation of her maiden name.

What began in 1999 as a modest offering of hand-knitted garments has since grown into a global beast. Renowned for its collaborations and hybridisation – splicing and juxtaposing cut and cloth – Abe’s stake remains at 100 per cent, meaning she makes what she wants, still does the accounting, and works with whomever she pleases. Kim Jones, Dior Men’s artistic director, is her latest design accomplice. “Working with sacai was a very personal choice because of our close friendship,” notes Jones. “I’ve known Chitose for a long time, and we’ve always had this conversation about doing a project together. Samples were sent back and forth between both studios and we spoke a lot. Everyone in Paris and Tokyo worked together. There have always been links between Dior and Japan, so I felt that it would be nice to reinforce a bond that isn’t physically possible at the moment.”

Released this November, the duo’s 57-piece collection is a sharp assimilation of tailoring, couture, work-, and sportswear. Archetypes from the French house – overcoats, the Tailleur Oblique, floral motifs – are completed in signature sacai fabrics such as Japanese denim, nylon, and textured jacquard, while contrasting panels and utilitarian detailing lend a roaming asymmetry. The concentrated palette of white and near-black blue is offset by pocket and drawstring embellishments on the capsule’s standout saddle and duffle bags, dashes of olive and orange referencing Abe’s classic bomber jacket. From the soft berets courtesy of Stephen Jones down to the triple-soled Chelsea boots, each item is a considered synthesis. The two voices are distinct yet coalesce – illustrated by ‘sacai’ itself being embedded in the slender ‘I’ of Dior’s logotype; a testament to the exchange, and the independent spirit of Abe.

dior.com

This article is taken from Port issue 29. To continue reading, buy the issue or subscribe here

When Worlds Collide

The ancient savoir-faire behind Dior men’s fall 2021 collection

Modernity meets antiquity in the latest colourful collaboration between Kim Jones and American artist Kenny Scharf. Originally intended to be presented in Beijing, Dior men’s fall 2021 collection – unveiled yesterday – combines a heady mix of street art, pop culture, science fiction and ancient, traditional technique. It’s a fantastically surreal antidote to the grey of 2020.

Silhouettes are loose and relaxed, with military cuts coming to the fore in trousers and jackets, punctuated by the cartoon-like, day-glo designs of Scharf. The LA-based artist was chosen as an emblematic figure of the interdisciplinary East Village art scene in the 1980s – alongside luminaries such as Jean-Michel Basquiat and Keith Haring – further illustrating Jones’ desire to bring art onto the runway.

The house also enlisted the talents of Chinese embroidery masters to translate Scharf’s 1984 painting ‘When Worlds Collide’ into a shirt, using one of the most highly skilled stitches, the seed stitch. The 2000-year-old technique which dates back to the Han dynasty – also known as the ‘forbidden stitch’ because its laborious fineness could ruin sight through eyestrain – was employed using 300 different colours of silk yarn. Given that it took ​1,600 hours to complete, it’s another wonderful example of Dior’s ability to fuse contrasting cultures, savoir-faire and timelines to great effect.

In an exclusive for Port, you can see the process behind the embroidery here (subtitles recommended) –

dior.com

B27

Dior unveils new sneakers by Kim Jones

Artistic director of Dior men’s collections, Kim Jones, has made a savoir-faire statement with his new B27 sportswear sneakers. Taking their cue from vintage tennis and skateboarding shoes, the refined trainers are available in both low and high-top, as well as Mr Dior’s signature shades of white, black or grey.

The multi-material finish combines beautiful calf leather and nubuck with the house’s Dior Oblique jacquard or the Dior Oblique Galaxy — in perforated leather — designed for the Spring 2021 men’s collection. To be expected from the French luxury brand, the trainers champion its leather-working heritage, from edge dyeing to topstitching at the hands of the petites mains in their Italian workshops. A three-dimensional effect is created through careful layering of the shoe’s inlays, while loving details such as eyelets shaped after the iconic “CD” logo and heels embossed ‘DIOR’ leave no doubt as to who is behind the artistry. The detailed ‘making of’ process can be viewed below – 

 

The Dior B27 sneakers will be available in Dior stores and online from November 2020

Paris Fashion Week 2018

Port‘s fashion editor picks the best looks from the Paris Spring Summer 2019 shows

Paris was hot, the schedule cramped and the calibre of designers high. Conversion centred on the clash of titans: Kim Jones v Virgil Abloh – Jones, the fashion darling’s master craftsman, launched his debut at Dior, and Abloh, the self-made cult figure of streetwear, did the same at Louis Vuitton. Very good friends, both have the press, celebrity appeal, and the power to drive menswear in two very different directions – Kim pushing towards couture and Abloh humbling luxury fashion by including it in a wider cultural conversation. 

Dior – LOOK 35

The much anticipated debut collection from Kim Jones delivered in abundance; a breathtakingly chic parade of soft pinks, blues, tans and whites that took form in a diverse range of suiting, shorts, shirts and beautifully crafted coats and jackets. Models circled a towering cartoon-like floral sculpture created by Dior collaborator and New York street artist, KAWS. The giant ‘BFF’ companion mascot seemed triumphant as it heralded a new dawn for the elevation of both menswear and Dior Homme. Accomplishing his self-assigned mission to translate “feminine couture identity into a masculine idiom”, here Jones transcends the simple overcoat with a weightless transparency and florals sculpted from feathers. True luxury.

Hermès – LOOK 48

While remaining true to the brand’s luxury codes, Hermès’s long-standing designer Veronique Nichanian added subtle touches of streetwear and splashes of bold colour to bring the house up to date with modern trends for Spring Summer 19. Set in the historic Cloître des Cordeliers courtyard on breezy Saturday evening, with Hermes’ crisp white laundry hanging on lines overhead, models sauntered by nonchalantly, as if holidaying on the French Rivera. The fabrics remained luxury and the collection, on the whole, effortless, but the inclusion of season highlights such as the use of yellow and, in this look, the headline making ‘short’ short, proved the continued relevance of the brand.

Dunhill – LOOK 25

Continuing to shake things up in his second year at the creative helm of the British heritage brand, Mark Weston presented a collection that was elegant, fluid and subversive. The arched passageway of the Jacques-Decour private school was the perfect backdrop for this lesson in modern tailoring, with Weston questioning “notions of taste and aspiration, particularly those related to certain ideas of British clothing cultures” with looks designed to blur class boundaries – in this instance a sublime suit wore shirtless to increase its street credibility.

Loewe – LOOK 17

Jonathan Anderson wanted to tell ‘intimate stories of bohemian life’ through his SS19 collection of oversized knits, casual linens, and hippy-like, eccentric prints, which included the surprise motif of Disney favourite Dumbo. The presentation style was as laid-back as the collection: models rotated, clothes were hung so the tactile fabrics could be touched, and brightly coloured pom-poms covered the floor playfully. The collection was accompanied by images of the models casually placed in and around an empty Madrid mansion – painting, musing or relaxing, and continuing this idea of romanticised decadence. Ready-to-wear was of course accompanied by leather bags, the origin of the Loewe brand – in this look, a practical butter-soft brown rucksack that perfectly compliments a sun-bleached effect tie-dyed shirt and short combo.

Louis Vuitton – LOOK 37

The fashion industry waited with bated breath for Virgil Abloh’s debut at Louis Vuitton, eager to see how the streetwear giant would translate his urban style into a luxury product. As if symbolic of Abloh’s meteoric rise, the seemingly endless rainbow runway in the Jardin du Palais Royal gave a sense of optimism and change. A parade of all-white tailoring – neat jackets and shirts teamed with relaxed over-sized trousers – was followed by Abloh’s familiar territory of technical wear, harnesses, flashes of neon and bold colours, including this red look: sportswear-influenced in its silhouette yet elevated by styling and an elegant brown leather trench.

Illustration Jayma Sacco