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Nicholas Bonner, author of Printed in North Korea: The Art of Everyday Life in the DPRK, discusses the surprising visual culture of North Korea’s lino-cut prints
In a foreword to the new book Garçon Style by award-winning photographer Jonathan Daniel Pryce, Sir Paul Smith explains why photography and fashion have always gone hand in hand for him
Oliver Eglin examines a new book on the subversive Chinese photographer RongRong, a frequent collaborator in the radical artistic community Beijing East Village
Ceramic artist Eliza Hopewell discusses the importance of being naked, subverting the male gaze and the need for honesty on social media
For over a decade Simon March has been quietly providing a radical, eco-friendly, handmade alternative to mass-produced paints
In a foreword to the new book from Thames & Hudson – 100 SCULPTORS OF TOMORROW – art historian, critic and curator Richard Cork charts sculpture’s changing place in the art world
Jack Latham’s latest book examines the secretive gathering of the San Francisco Bohemian Club and the characters on its fringes
Port spoke to the winners of Free Range 2019 on photography as a historical, political and social platform from which to cast their very particular gaze
The interdisciplinary African-American artist discusses her upcoming Park Nights performance Blackbird in Missisipi
In an excerpt from the new book on Japan’s leading photographer, Takeshi Nakamoto asks – who is the real Daido Moriyama?
Why the American artist’s work is an unintentional, but substantial departure from the mainstream
The multidisciplinary artist presents her visual universe Par Anomie – combining politics, philosophy and humour – at the Mansart gallery in Paris
Port travels to the 58th Venice Biennale for the powerful, all-female exhibition from HEIST Gallery
We travel to Brussels to experience the joint exhibition between Sophie Whettnall and Etel Adnan that explores the sublime wonder of the natural world
Jem Southam reflects on his groundbreaking visual meditation on the industrialisation of the English landscape, The Red River
Billie Muraben reports from this year’s Venice Biennale, where fantasies and realities intermingle
As Peckham 24 opens its doors for its 4th edition, Emma Bowkett, director of photography at FT Weekend Magazine, discusses her new exhibition, the definition of community and the subtleties of language and narrative within photography
Oliver Eglin examines a new series of photographs taken by William Eggleston in small town 1970s America
Port’s photography director, Max Ferguson, discusses Maja Daniels new book – an otherworldly examination of lost language, photographic fragility and the occult
Street style photographer Nina Manandhar discusses Thamesmead, its community and her fascination with British culture