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We travel to Brussels to experience the joint exhibition between Sophie Whettnall and Etel Adnan that explores the sublime wonder of the natural world
Jem Southam reflects on his groundbreaking visual meditation on the industrialisation of the English landscape, The Red River
Billie Muraben reports from this year’s Venice Biennale, where fantasies and realities intermingle
As Peckham 24 opens its doors for its 4th edition, Emma Bowkett, director of photography at FT Weekend Magazine, discusses her new exhibition, the definition of community and the subtleties of language and narrative within photography
Oliver Eglin examines a new series of photographs taken by William Eggleston in small town 1970s America
Port’s photography director, Max Ferguson, discusses Maja Daniels new book – an otherworldly examination of lost language, photographic fragility and the occult
Street style photographer Nina Manandhar discusses Thamesmead, its community and her fascination with British culture
In an extract from In Character, a retrospective of Anja Niemi’s body of work spanning 2011 – 2018, Max Houghton discusses the photographer’s hyper-feminine haunted subjects
The twice Turner-prize nominated artist transforms Tate Britain with monuments to Britain’s industrial past
The assistant curator of the Musée d’Art Moderne in Paris explains why rising star Tao Hui deserves the title of China’s national artist
A collaboration between childhood friends – musician Four Tet and artist Anna Liber Lewis – explores clubbing nostalgia and bodies in flux
Nikita Dmitriev, assistant curator of the Musée d’Art Moderne in Paris, reflects on the multi-disciplinary artist who remains one of the brightest representatives of where science meets art working today
Jacob Charles Wilson examines the formative first half of the photographers career, filled with strangers on the fringes of society
Port’s photography director, Max Ferguson, co-curates a charity exhibition featuring Marguerite Bornhauser’s 8 and Suzie Howell’s Sardinian Sculptures
Port travels to Berlin to preview the latest in Saraceno’s hybrid web series, a complex, social, interconnected dance between humans and spiders
Jacob Charles Wilson reflects on the photojournalist’s landmark show, a harrowing snapshot of truth, tragedy and symbol
Port’s director of photography, Max Ferguson, analyses an iconic piece of New Deal propaganda from documentary photographer Dorothea Lange
Port examines one of the finest colourists of the 20th Century, Pierre Bonnard
Hanna Moon & Joyce Ng’s English as a Second Language exhibition explores cultural identity through the lens of fashion photography
Stephen Shames’ vital work documents the experience of impoverished youth in the Bronx