Chimamanda Ngozi Adichie

Transcending the barriers between literature, art, music and fashion, the writer Chimamanda Ngozi Adichie is one of the foremost intellectual voices in the United States today. In this excerpt from issue 22, she speaks to Catherine Lacey about pop, politics and the 45th President. 

Printed shirt and trousers PRADA

The restaurant is nearly empty. It’s an emptiness that exposes a sense of dread lurking in an otherwise bright spring day. People in suits, tunics, athleisure and burkas are streaming through the adjoining hotel lobby but here the only movement is of a member of staff, diligently preparing for an absent crowd. It is 2018 and this is the capital of the US. Even when ordering lunch, it is impossible to forget how close we are to a ceaseless squall of depravity and impending doom.

The omelette, we are told, cannot be altered. So be it. Apologetic and star-struck, the waiter beams at the renowned novelist and public intellectual, Chimamanda Ngozi Adichie, and cannot help but gush, “You look wonderful today.” Indeed, Adichie looks wonderful because she always looks wonderful. A commanding presence, she is one of those rare writers with a refined style both on and off the page.

Adichie is certainly the only person to both win the Orange Prize (now the Women’s Prize for Fiction) and serve as the face of a make-up campaign – No 7. She is absolutely the only writer whose speech has been sampled in a Beyoncé single. Every aspect of her comportment is magnetic, a magnetism that is exceedingly rare among accomplished writers, who are often better read than seen.

Printed dress PRADA

To encounter a person of grace and eloquence in this particular era, in this particular city, only heightens her effect. Yet Adichie also has an unfettered, ebullient charm – she curses freely, laughs with abandon and has a sly, infectious grin. “The past month,” she confesses, “I was in Nigeria eating and laughing and not doing anything useful with my time.” She has the cheery disposition of someone who just returned from a holiday, but I recognise a distant introversion in her eyes, the novelist longing for another world. “I rationalise this by saying I’m absorbing material.”

Her first novel, Purple Hibiscus was set in postcolonial Nigeria and dealt directly with her home country’s turbulent political history, while her second, Half of a Yellow Sun, tackled the Biafran War. Each won awards and acclaim; Chinua Achebe declared Adichie to be “endowed with the gift of ancient storytellers”. Then, in 2007, on her 30th birthday, she got a phone call from the MacArthur Foundation.

“I was in Lagos. I was just about to go out with friends who were taking me to dinner, and I got the call. I was like, ‘My life is made!’” She pauses, and stares out the window a moment. “Did I actually even know…?” In fact, she had to google the specifics of her new ‘genius grant’: a half-million-dollar prize and a crowning validation from the American intellectual elite.

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After earning her bachelor’s degree in Connecticut in 2001, Adichie went to Johns Hopkins for her Fiction MFA, even though she had already completed her first novel, Purple Hibiscus. “I wasn’t necessarily a good member of the workshop… I hardly went to class because I couldn’t wait to get back – I had created this thing in my little studio apartment.” This little thing turned out to be Half of a Yellow Sun. “It was so emotionally draining. I cried… Days would pass and I wouldn’t shower. I wouldn’t pick up my phone.”

With two acclaimed novels under her belt, she was named a Hodder Fellow at Princeton, and then made the unlikely choice to earn a second master’s degree in African Studies at Yale. Why? “I went because I wanted to learn. It was really very simple. I remember thinking there’s so much I want to know about precolonial Africa. And I didn’t just want to read books, because I’m lazy.” Eyes widen at what seems to be self-effacing hyperbole, but she insists it’s true. “I felt like I needed some guidance. I needed to know what books will illuminate this part of my history.”

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One of these books, in fact, was her second novel. “I had to sit there in class and try not to roll my eyes at their… analysis.” Outside of class she was struggling to find time to write her third novel, Americanah. “I kind of thought I would be able to write as well but it turned out to be disastrous for my writing. I was quite miserable.” Eventually she did find time to work, and, satisfied that Half of a Yellow Sun was “a book that I really felt my ancestors wanted me to write”, she felt free to loosen up as a writer. “I was no longer feeling this sense of being the dutiful daughter of literature and that I wanted to follow the rules. You know what? I felt I had earned the right to write a terrible book.”

Adichie, a self-avowed perfectionist and child of a “proper Igbo” household, seems to accomplish everything she sets out to do, but she failed, at least, to write that “terrible book”. Published in 2013, Americanah is an irreverent and biting commentary on race in the United States, but also a love story that spans decades and continents. It’s both serious and sexy, hilarious and profoundly sad. Adichie has called it her “fuck you” book, and it said “fuck you” all the way up that year’s bestseller and Top 10 lists, awards in tow.

This is an extract from issue 22 of Port, which hits newsstands on 19th April. To subscribe or pre-order, click here.

Photography Mamadi Doumbouya Styling Dora Fung Stylings editor Sabina Vanegas Makeup Mali Magic Hair Alaina Stevens

Lifting the Lid on Trump

Author and staff writer at The New Yorker, Mark Singer, considers the reality of national life and death under President Trump

Illustration – Louise Pomeroy
Illustration – Louise Pomeroy

To try to understand how and why one of America’s two major political parties managed to nominate a presidential candidate so self-absorbed, defiantly ignorant, intellectually vapid, impulsively combative, compulsively mendacious and recklessly erratic as to jeopardise the United States’ strategic international alliances, national security and standing as a rational guardian of the world order, begin with the inanity of our electoral protocols. Our national anthem brightly declares us “the land of the free and the home of the brave.” Politically, though, we are the land of the easily amused and the home of the readily fooled.

The 2016 campaign got underway the afternoon of January 20, 2013. Earlier that day, President Barack Obama had taken the oath of office marking the inauguration of his second – and final – term. Officially, this meant four more years to command the armed forces, steer the world’s largest national economy through its recovery from the most dire crisis since the Great Depression, and fulfil the duties and responsibilities designated by the Constitution. The Republican Party leadership, however, was having none of it. Throughout Obama’s first term, the opposition had embraced a content-free agenda of resolute obstructionism, a strategy still in effect. Obama would be the lamest of lame ducks. Other than the ceremonial formalities, they vowed, his presidency was kaput. In this regard, they were enabled by a political punditocracy that had already turned its attention to the next election. Focus conscientiously upon the arduous work of governance? For the possibility of transcending partisan differences for the common good? For the redress of stark social and economic inequalities? Please! Only the horse race, it seemed, mattered.

When, in June 2015, Donald Trump formally declared his candidacy, he had already spent four decades clamouring for public attention. New Yorkers knew him as a rough-edged rich kid from the outer boroughs – son of a developer who amassed a fortune building rental housing in middle-class Queens – who had crossed the river into Manhattan and ingeniously succeeded, as no one previously had dared, at branding real estate. Depending upon one’s perspective, Donald was either a self-parodying parvenu or an aspirational figure. He developed residential high-rises plastered with the ‘TRUMP’ moniker, then diversified in Atlantic City, where he built casino hotels slathered with blinding ornamentation, the goal being to titillate suckers with the fantasy that a Trump-like life was a lifelike life – to distract from the fact that he had lured them inside to pick their pockets. The odds favouring the house notwithstanding, the casinos would in time fail, a saga of serial bankruptcies (six!) that would correlate with Trump’s nastiest habits, his cruel pleasure in stiffing creditors and his hair-trigger litigiousness.

His personal life was no tidier. During the first of his three marriages, he had committed blatant adultery (along the way snookering the New York Post, a tabloid, into publishing a headline with a putative quote from his mistress and future second-ex-wife: “BEST SEX I’VE EVER HAD”). Equally promiscuous had been the bankers credulous enough to lend Trump billions. No longer creditworthy, he possessed only one remaining exploitable resource – his brand. Going forward, moneyed partners would assume all the risks and, in exchange for having his name on their buildings, Trump would earn back-end equity when a project succeeded. Such details were hidden from a public for whom the Trump illusion survived. For more than a decade preceding his candidacy, Trump’s day job had been reality television star. No longer – and perhaps not ever – an actual billionaire, he now impersonated one on TV. Trump’s role on ‘The Apprentice’ and ‘The Celebrity Apprentice’ constituted his political capital, an asset he would leverage to seduce millions of voters suspended in their own collective fog of make-believe. 

America’s first-ever reality TV presidential campaign began infamously, of course, with Trump’s slander of Mexicans as rapists and drug smugglers. Islamophobia followed. The bigotry extended his four-year run as the nation’s birther-in-chief, promoter of the racist lie that Obama had been born not in Hawaii but in Kenya, rendering his presidency illegitimate. Birtherism – stirred with economic populism, fear and nativism – begat Trumpism, a brew concocted by a narcissist, drunk on his metamorphosis into demagogue. 

Eventually, 16 other horses joined the race, among them senators, governors, former senators and governors, one in-way-over-his-head retired neurosurgeon, and one erstwhile corporate chief executive. The latter two, in particular, hoped to trade upon their outsider status with an electorate disgusted by the political status quo and especially by Washington. Any of the contenders seemed as likely to prevail as Trump, whose candidacy for far too long was treated by the press, the public and the Republican establishment as a relatively harmless novelty. Trump win the nomination? Get outa here. The general election? – beyond ludicrous. 

Cable news doted upon Trump because, regardless of one’s politics, he provided entertainment, which meant bigger ratings, which meant bigger revenue. The digital and print media, while perhaps less cynical, knew that Trump delivered good copy. Still, subject him to labour-intensive investigation? We’re busy.

By the time the first primary votes were cast, in early February, his candidacy was seven-and-a-half months old. The monster had long since risen from the laboratory table and run amok. There had been 13 debates and ‘candidate forums’, and Trump had dominated virtually all of them – bullying, interrupting, taunting and lying about his opponents. One by one, short of votes, short of money, they gave up. Each retreat seemed inevitable and each seemed to embolden him. When challenged, he attacked the moderators. During campaign rallies, he incited his supporters to spew venom at the hapless journalists assigned to cover him.

Throughout, Trump’s sordid history – racial discrimination against would-be tenants; dealings with organised crime; employment of undocumented immigrants; deeply ingrained misogyny; unconscionable fleecing of desperate enrollees in his fraudulent get-rich-quick real-estate seminars; refusal to pay contractors whose businesses then failed – hid in plain sight, accessible with a few keystrokes, thanks to years of exertions by superb journalists (Wayne Barrett, David Cay Johnston, Timothy O’Brien, Tom Robbins et al.).

With laudable exceptions – Politifact.com (a project of the Tampa Bay Times), Fact Checker (ditto, Washington Post), Factcheck.org (Annenberg Public Policy Center) – not until Trump had clinched the nomination did most news organisations subject him to the scrutiny they could have and should have from the get-go.

By the time of the first debate (of three) with Hillary Clinton, the election was six weeks away and the race was perilously close. Arrogant as ever, Trump showed up unprepared. Clinton did decidedly the opposite. Not long into the proceedings, Trump was reduced to petulant defensiveness. At the end, both his feet were perforated with multiple bullet holes – a historically awful performance.

How awful? One of his most pugnacious partisans, Rudy Giuliani, a former mayor of New York City, showed up in the spin room to cry foul. The debate moderator, an equable, self-restrained network anchorman, had had the temerity to correct one of Trump’s more flagrant lies by citing widely documented data. “If I were Donald Trump,” Giuliani said, “I wouldn’t participate in another debate unless I was promised that the journalist would act like a journalist and not an incorrect, ignorant fact-checker.” Goddam facts!

Twenty years ago, while preparing a profile of Trump for the New Yorker, I spent a great deal of time with him across several months. Early on, I decided not to take personally the transparent distortions that constantly burbled from his lips – or, if you will, his reflexive lying – telling myself, ‘That’s just the way the man talks.’ Trump said many things that I found baffling, such as when he described the apartments he sold as belonging to three categories: “luxury, super luxury and super-super luxury.” This taxonomy led to my conclusion that he “had aspired to and achieved the ultimate luxury, an existence unmolested by the rumbling of a soul.”

Naturally, Trump hated what I wrote and my reward was his undying enmity. But I knew that my verdict was accurate, evidence of which the electorate has now been exposed to for more than a year. Still, I am resisting presumptuous optimism. This is a matter of national life or death. Trump, soulless or not, might yet be the next occupant of the White House. Should that come to pass, dear Lord, please save ours.

Mark Singer has been a staff writer at The New Yorker since 1974.  He is also the author of Trump & Me, published by Penguin Books.

This article is taken from PORT issue 19, out now.